Tuesday, March 31, 2009

What Will be Missed

O India...
My new found love

How I will miss you
As I fly above
For now I know you are my roots
In your soil, reveal my truths
I will miss those burning dark native eyes
The annoyance of mosquitos and buzzing flies

Jeweled bindis worn with pride
My new relaxed walking stride
Long black braids down sari backs
Piles of goods atop heads stacked

Stray dogs and cows blocking streets
The electricity of my heart's beat

The unrelenting, burning skin heat
Walking barefoot with dirty feet

Bargaining for the cheapest price
Every meal eating mounds of rice
Afternoon naps cool under the fan
Digging my toes into the shore sands

Sweet, warm cups of chai
I love this land, I cannot lie

The adventures of the infamous rails
Washing myself with water in a pail
The persistent, drenching sweat
Savory foods that I will never forget
Coconut chutneys, spicy sambar and chicken curries
Never feeling rushed or in a hurry

Learning how to just be
As I rock under the shade of palm trees

Practicing yoga in the day's early light
Not worried about training for a fight

Reading books and writing poems
Hearing my mother's voice whenever I call home
Uncovering my life's next step
Appreciating the beauty and this land's great depth

Countless people coexisting without strife
Truly these are the best days of my life

I will miss the city bustle of Bangalore
Not a single moment of feeling bored
The Kerala backwaters down a river I float
So warm outside, no need for a coat

The majestic cape in Tamil Nadu
The ocean waters in Goa, so blue

The vibe, the energy, the love in this place
How it helps me uncover a different face
Allowing me to look within and take stock
My inner most feeling beginning to unlock
I am happy, alive and in love with this land
All I want to do is travel and expand

And share the gifts I have been blessed
Please excuse if I become obsessed
India shows me the secret and key to living
Spreading love, it's all in the giving.

Monday, March 30, 2009

Trade Routes


Back in Kerala, we try and slow down time. Only a few days remain before our eminent departure. It feels good to be back at Sebastian’s grandmother’s home, our headquarters throughout the trip. We spend time sun tanning on the roof, enjoying delicious meals, and tying up loose ends. We visit local shops to purchase last minute Indian goodies before returning home. Our first stop is Chips, a store specializing in a slue of sugary candies, fried fruits and vegetables, and spicy, crunchy puffed bits with peanuts known as mixture. Walking into the store, I am bombarded with the sweet, enticingly scrumptious smell of freshly fried bananas cooking in the front window. I stock up on several bags on this salty, flat chip, as well as different kinds of mixture and India’s infamous cashews. I can’t resist buying some ladu, my new favorite treat, as well as caramel covered peanuts coated in sesame seeds. Two steps out the door and my self-control wanes. I break open a bag and start nibbling, taking pleasure in the deliciously addictive snacks. It is impossible to eat just one.

Next stop is the spice store. I have come to love Keralan food so much that I decide to learn how to cook my favorite dishes. Surrounded by stacks of seasonings, I feel overwhelmed by the countless array of choices. Luckily, Alice Auntie helps me select all the essentials. Coriander and cardamom, vibrant orange turmeric, tiny brown sticks of cloves, sweet smelling cinnamon, and plump black pepper corns. I load up on nutmeg, my new favorite, as well as dried red chili peppers, skinny twigs of vanilla, and the adorable shaped starinas. The anxiety of going home and not being able to eat Indian food lessens, as I exit the store with a bursting bundle of spice.

In a spontaneous decision, Sebastian and I visit a local fabric store specializing in custom-made women’s garments. At first reluctant, I soon decide to get my very first salwar komeez, the other traditional Indian ceremonial dress aside from the well-known sari. I casually begin looking at packages of different color fabrics and embroidery, unsure of what to choose. Numerous salespeople start flooding the counter with all kinds of materials. I narrow it down to blue and request something pretty but with a modern flair. I finally find the perfect one –teal blue over midnight black with sequined paisleys. One of the young girls leads me into a private room where my measurements are taken. I am asked a myriad of questions regarding the design, ranging from the kind of collar I want to the length of the pants. I choose the type of sleeve, the kind of lining, placement of the zipper and every other imaginable feature. Of course it would not be complete without accessories, commonly called fancy, so I pick out a set of earrings and matching necklace and dazzling bangles. We are informed the salwar will be ready later that day and all for a mere forty dollars!



Our last stop is the Keralan government store, SMSM, which exists solely on the basis of selling for the profit of the city. It is a huge building, bursting with a variety of handcrafted goods, ranging from twenty-ton elephants statues to sandalwood key chain rings. They sell carved wooden pieces, vases and dining ware made of bronze and silver, oil paintings and sculptures, and brass figurines. This is my last opportunity to shop, so I make sure to get any remaining souvenirs for my long list of family and friends. While perusing the great room of artifacts, I am unable to resist buying myself a few more items native to Kerala handicraftsman, such as over the shoulder cloth bags, a incense holder, a hand-painted miniature elephant, and decorative pillow covers. A few more bangles, some colorful scarves, a hookah and I am all set. Out of money and out of time.

Within a month, I purchase enough items to transform my eating, dressing, and living habits. I have enough Bindi’s to last a year and sufficient spices for a few tasty meals, new jewelry in every possible color and several boxes of Indian coffee. I have enough crafts to redecorate my apartment and numerous boxes of incense so I never forget the smells here. The sadness I feel about leaving lessens with each new acquisition, as I now have so many reminders of this extraordinary country. Armed with all my new authentic purchases, I am able to modify my New York City life with some Indian flair.

Thursday, March 26, 2009

Slow Goan



We spend five long, lazy days at the beach in Ashwen, bathing in sunshine and the warm ocean. I slather on coconut oil and bask, usually while dreaming, sleeping, or reading. There is nothing to do, nowhere to go, enabling me to thoroughly enjoy each moment. This is the first time in my life I go topless while tanning, shedding my self-consciousness like the layers of my clothes. I have no worry about how I look, for I feel fully free and self-accepting in all my full glory. There is no creepy stares or inappropriate gestures like I expect; rather, most of the other women on the beach are also without bikini tops. It seems that on this side of the world, females are more comfortable with their bodies and significantly less inhibited. I am reminded of girls from the gym, in the locker room hiding behind tiny white towels, so afraid and ashamed of their beautiful bodies, terrified of being seen. I do not want to live in hiding anymore. I taste for those few fleeting minutes, the pleasure of loving and accepting myself, without the burden of nagging, judging self-consciousness.

A ubiquitous aspect of our beach experience is the countless, persistent, brightly dressed beach vendors carrying bundles of sarongs, dresses, cover-ups, and beaded jewelry. At first, they befriend me, asking about my American life, and my naivety fails to allow me to see that this is a ploy to sucker me in and profit from my friendliness. From one older woman, I receive a pedicure, deep plum with sparkling rhinestones. I purchase three sarongs from another young girl. Word spreads that I am a good customer and soon I am surrounded by a group of desperately pleading girls enticing me with good deals and prices. My bouts of relaxation are challenged as I feel my patience begin to lessen. I nicely tell them to leave repeatedly, but they refuse to unless I promise to buy something later. My desire to be nice gets me in a mess of competing women. I sneak back to the hotel anytime I see them coming, leaving Sebastian to deal with the crazied sand hagglers.

On our first day, we find an outdoor restaurant, Paradise, located directly in front of the water’s edge, where we dine daily. The menu is extensive, ranging from fresh seafood caught that morning to pancakes stuffed with chocolate and cream. I am pleased to find oatmeal, commonly called porridge, for I have not eaten it since my last morning back in New York. Of course I order it, adding coconut shavings and sweet bananas for a little Indian flair. Sebastian tries a new entrĂ©e everyday, the most memorable being a huge rockfish he selects from a display of the day’s catch. Grilled Tandoori style with an abundance of spicy flavor, we literally taste the freshness seeping through the tender white meat.

We meet Mudina, an owner of a small shop next to the Paradise Restaurant, selling beach clothes and seashell jewelry. I soon learn that she is also a henna artist and I excitedly request her services to decorate my right hand. I ask for an original piece, something she has never done before and not found in one of her sample books. A bit troubled at first, she begins dipping a skinny wooden stick into a cap of jet black ink. Starting with the Om sign, Mudina creates a beautiful pattern of coiled, spiraling lines and blossoming flowers. Her hand is steady, her eyes focused, her creativity transferring onto my palm. I sit relaxed, sipping a cold glass of Sangria, watching the sun sink lower into the horizon, reminded once again of the essence of India. I love the look of my hand so much that I opt for another design, this time on my right foot. She draws a similar pattern, beginning from just below my ankle, spiraling down in two directions, one towards my big toe and the other curving around my outer bone. It looks authentically beautiful, and feel myself further transform into an Indian princess.





On Friday night, we take a drive to Arambol, a beach on the edge of northern Goa and a last remaining stronghold for the aging hippie population. Much different from Anjuna, these are authentic hippies, mid-60s with leathered skin and sun bleached hair, drifting through this blissed-out corner of Goa. I assume many of the people have remained here since they arrived decades ago. Not standoff and unfriendly like the others we encounter, Arambol hippies are indifferent, absorbed in their own world, either unaware or uninterested in anyone other than themselves and their friends. It is perfectly fine to remain unnoticed, for Sebastian and I sit at a neighborhood bar and have the thrill of watching them dance to the music of a local band. It is a free, childlike romp, with flailing arms, closed eyes and swaying hips. The band plays rebellious jam music with long, twangy guitar rifts that fuel unreserved self-expression. It is a microcosm of the Woodstock ideals of peace, love and no worries. A particular near elderly woman stands out among the boogying crowd. Likely the oldest person there, she dances as if she is the youngest, in a hot pink, short fitted dress and matching bandana tied guerrilla style around her forehead. She seldom takes a break, only for a quick sip of a cocktail to refuel, then saunters off floating about the room. She possesses zero self-consciousness, fully immersed in the music, uncaring of how she may appear to others. I smile at such a beautiful sight, even slightly envious her unconstrained, candid movements. Never have I seen a woman so happy, so liberated, so free.

Saturday evenings in Goa are famous for the Saturday Night Bazaar, who roots lie in the first hippie flea markets back in the 60s. Open from 6pm until 6am, Sebastian and I decide to go, taking a 30-minute cab ride through our old neighborhood of Anjuna and stopping along the way to greet an elephant. Used by Hindu brahmins to collect money for their local temple from curious passer-bys, they allow us to pet the animal. Until that initial meeting, I am unaware of my fear for such a large animal. Reluctant to get too close, I am afraid that the trunk may knock me over or that I will be crushed under the large, stomping foot. After several tries, I finally build up enough nerve to position myself close enough to capture the great photo opportunity.



Set on Arpora hill, the Saturday Night Bazaar is a vibrant and colorful scene attracting both locals and tourists, making it the most diverse crowd I experience in India, with its obvious abundance of languages and races. There is an outpouring of creativity and crafts, alcove shops full of handmade jewelry and clothing, wooden carvings, richly embellished fabrics and eclectic artwork. We pass by stalls for tarot card readings, Ayurvedic massages, hair styling and information booths offering diving tours and rafting trips. Besides being at night, the main difference with this market is that it is centered around a stage, where a variety of performers, ranging from resident musicians to belly dancers, come every Saturday night to entertain the crowds. There is a huge international food court, where we snack on fat pieces of sushi and momos, Tibet’s version of steamed vegetable dumplings. I buy several marble stone necklaces and Sebastian picks an authentic Indian drawing etched into dried bamboo stems. Attempting to juggle our small plates of food, our brimming cups of Sangria and our bags full of purchases, we stroll through the swarms of people, in this little world unto itself, taking pleasure in being a part of the cultural playground.



Ten days in Goa pass in an instant and we are on our way back to Trivandrum, Kerala to spend the final days at Sebastian’s grandmother’s home. We share amazing Goan experiences, from roughing it in the tents of Yoga Magic to shacking it up on bountiful beaches at Yab Yum. We have practiced yoga and bargained in markets, got tattoos and rode a scooter, played in a pool and swam in the ocean, ate organically grown vegetables and just-caught seafood. We mingled with hippies and made friends in other countries, became experts at using eco-friendly toilets and survived without phones, lights, and Internet connection. We were challenged, pushed and forced to adjust all by the warmth of the Goan sun, proving to be an immensely rich learning experience, changing the way I view myself and altering how I choose to live life.

Wednesday, March 25, 2009

Tat-n-Tale


It has happened. I threw my nonconforming ideals to the wind and got my very first tattoo. Having debated this for sometime, I always felt unsure of what to get and where to put it on my body. I did, however, trust that I would make the decision on this trip.

At first, I asked Sebastian to sketch some symbols, creative designs in an attempt to incorporate my essence. I considered things that I hold closest to my heart, such as life and love, peace and truth, family and travel. Ultimately, nothing he drew inspired me enough to permanently mark my skin. (DISSED!) In passing, without much conscious thought, I mentioned wanting to find a guru while in India who would give me a symbol that would later become my tattoo. That cherished morning at Yoga Magic, when I discovered the heart patch lying upside down on the dried up lawn, I knew I had found it. It was a sign, my omen from God, the answer to what I was seeking. My tattoo is the union of three hearts, two small ones embedded within a larger heart. Three hearts in one representing the mind, body, spirit connection. It symbolizes what I embody and manifest and share with everyone, love, my divine essence and what I know to be the truest thing in this life. My root belief in the Father, Son and Holy Spirit. A reminder of the magical day I danced with God, the day my soul moved to a different beat, connected on a deeper level. A symbol of my beloved India and how I feel on this trip, with all the adventures and the freedom and change that resonates in my being. An emblem of all that I was, all that I am, and all that I will grow to be. I tend to wear my heart on my sleeve and now it will forever be imprinted on my skin. Plus, three is my favorite number.

In the days that followed, we check out several different tattoo shops until we find the perfect one. We befriend Andy, the British expat owner of a shop located on the beaches of Anjuna, Goa. Covered in ink, he has been an artist since he was twelve years old. The parlor is gleaming clean, with all the needles individually wrapped and sanitized. We book an appointment for our final day in Goa since swimming and tanning is prohibited for a minimum of three days. I consider backing out, but as the due date approaches, I know I am going through with it. I am committed.

Already tattoo savvy, Sebastian goes first. He selects the word “origin,” written in Malayalam, the language of Kerala, across his left forearm. After Andy disinfects his arm and shaves the hair, he transfers the sketched pen image onto his skin to ensure its proper placement. The tattoo guns begins buzzing, reminding me of a dentist’s drill. My skin crawls, my jaw tightens up. I watch Sebastian, gritting his teeth, nostrils flailing every time Andy hits a sensitive spot. Forty-five minutes later, it is complete and looks tribal, fierce, intense. Hardedge black letters with a delicate touch, we both immediately love it.



My turn. I go through the same process of disinfecting, of transferring the sketch onto the perfect spot. I choose my back, under my shoulder blade, off towards the side of my body, somewhere in between my bra line and waist, touching my lower rib. I lay in a half fetal position as Andy begins his work. The initial piercing of the gun stuns me and I am tempted to quit. As he creates the outline, I feel the tip of the needle burn into my skin. I draw on my strengths as a fighter, my calming mentality as a meditator and courageously bear it. Every few seconds, he stops to observe his work while refilling the ink, giving me a chance to breath and refocus. Thirty minutes of feverish pain and it is finished. Stunning, so perfectly symmetrical, in the most beautiful location. It is truly me, my essence, manifested in art, now on my body. It was not until after he started did Andy confess I chose one of the most painful spots to get a tattoo. Appropriate for me, for when I do something, I never take the easy way!







We celebrate at a beachside bar watching the sunset, drinking cold beers as we scrutinize and study our new tattoos. We gush excitedly over how great they look, despite the slight burning pain. I am in shock that I actually went through with it. Taking stock of the moment, of literally marking this moment, we kick back and allow the magnitude to set in, humbled by how fortunate we are and how amazing life is. We sense its coming to a close soon, but we will never forget this experience. Every time we look at our own individual tattoos, we will be transported back to the beaches of Goa, gazing out into the Arabian Sea, relishing the sunset and in the sharing of life.


The Perfect Day


After several days of sunbathing, we wrench ourselves off the beach and head out for an adventure. Originally planning to tour Old Goa, a section of town with numerous buildings and churches, we decide instead to visit Fort Tiracol, in the neighboring state of Maharahstra, as recommended by some Goan natives. Rising early and sharing a small pot of French pressed organic Indian coffee, we straddle the scooter and set off for an unknown expedition. The spontaneity thrills us, the excitement of uncharted territory intrigues as we travel through picturesque scenes. I look out into the endless blue horizon of sea, a shade darker than the sky, so soothing and inviting. A quick turn of my head and I am staring at tiny villages and towns bustling with people, all surrounded by the blossoming life of trees and undulations of grassy fields. Families walk to church, aging women sell fresh fish on street corners, random cows graze along the road. I hold onto Sebastian, squeeze his ribs tightly every time we hit a bump. My cheek squishes as I rest my head on the nape of his neck. A gentle kiss as he drives, I taste the sweet combination of coconut and salt, remnants of our long days at the beach.

We ride for the better part of an hour until we reach a jetty at Kerim beach. A free ferry awaits, a rusted royal blue double storied boat that smoothly transports us across the Terekhol River, separating the northern most section of Goa from the bordering state of Maharahstra. A brief uphill ride, we reach our destination, Fort Tiracol. Through the black iron gates, towering over a green manicured lawn and a fence of blooming trees is the immense 16th century structure. Perched hilltop to overlook the Arabian Sea, Fort Tiracol is an astounding architectural achievement. With its scaling heights, this former defense sentinel is in glorious isolation. Invaded by the Portuguese, they rebuilt it in the late 1700s in defense for Goa and later, this stronghold aided freedom fighters during the Goan liberation. Currently, it serves as a heritage hotel and a multi-cuisine restaurant.

Through a dark marble hallway we emerge into a charming courtyard, with the century old Church of St. Anthony, opened only on rare occasions, situated in the center. The entire edifice is bright, pure white with trim of ochre yellow and midnight black. Climbing large steps, we reach the restaurant, which serves authentic Goan and Portuguese food as well as its infamous, majestic views. Completely awestruck, never did a sight appear so perfect. The eternal blue sea, alive and rippling, reflects the sun’s brilliance. Waves create uneven sandy shores of foaming white suds. Full and towering, curving palm trees with massive green leaves stir in the swirling breeze. There is not a single cloud in the sky to interrupt the incessant overflow of blue. Sebastian and I are dumbfounded, small in the presence of such sheer magnificence. Wonderment abounds as we step into ramparts, peeking out little portholes at the panoramic seascapes.



We sit on the veranda, at a glass table under a pointed edge umbrella and share a deliciously light brunch. Fluffy egg omelets, fried bananas, and coffee savored as we relish the spectacular view. In amazement, I watch the Terekhol River flood into the Arabian Sea, merging without end or beginning, an ongoing flow of water. Despite the old gun-enclosures, the stark white walls intensifies the structure, seemingly more pure and tranquil. The most exquisite thing is the silence, the piercing, beautiful lack of noise that ever grazes my ears. I am too far away to hear the breaking waves or the children laughing playfully. There are no squawking birds, barking dogs, blaring horns, or human speech which plague every moment of every day. Incessant chatter is stopped and what remains is an energetic stillness, conveying immense depth, a hushing peace. We stay long after the meal is finished, drinking in the sublime experience.

Enthralled, we continue on our journey through Maharashtra to the Ganesh temple at the Redi fort. Not found in any of the travel books we have been pouring over, it too, was suggested by Goan locals. Almost lost, we attempt to follow maps of unnamed streets and hidden roads. Luckily, with the guidance of a friendly pedestrian we follow a dirt road in the backcountry land until Sanjay stops us, a mid-30s man with a warm smile dressed in a red flannel shirt and beige shorts, motioning us to park our bike and follow him. It seems a bit peculiar, heading into the forest alone with this stranger, but I trust my instincts and begin walking. After a short distance, we climb over a crumbling wall to visit the Ganesh temple. It is nothing as I expected, looking more like a deformed rock than the infamous elephant god. Beyond closer expectation, I make out the hands and trunk set deep into the stone. This statue was found in the Redi mines after one of the workers dreamed about it and asked for the mine to be searched. When the mines were eventually dug, the Ganesh idol was uncovered and has become a holy sight for Hindu worshippers.

Sanjay suggests we hike up to the Redi fort that overlooks the appropriately named Paradise Beach. As we begin the ascent, I find a long branch begging to be used as my walking stick. We trail Sanjay as he leads us through the decrepit fortress, untangling thickets of brush to clear a walkway. From the exterior walls into the central compound of the fort, we navigate the once mighty bastion, which has now devolved into a marriage of nature and crumbling human construction. Banyan trees hug the walls, creating webs of branches in varied directions. An empty, steep well causes my stomach to turn as I cautiously peer down over 200 meters. We duck under low curving doorways, leading us into old rooms where soldiers stood guard. I sense that people have died here, for we feel the sacred, hallowed ground under our feet. Eventually, we arrive at the fort’s apex, which provides us with the spectacular view of Paradise beach. Sharing an unripe green mango, we stare out into yet another perfect scene. Upon the descent, Sebastian and I both agree that the charm of the Redi fort is that it is left alone, allowing nature’s growth to inhabit the once functioning and operational edifice. The government does not invest money to clean it up or restore it to the original state. Rather, it remains untouched, a jeweled secret for only a select few to enjoy.












Before heading back to the beaches of Goa, we stroll along the gentle shore of Paradise beach. To my great surprise, it is littered with shells, ranging from tiny intricate spirals once carried on hermit crabs’ backs to smooth white halves of a broken clam’s home. Immediately, I start combing the sands, creating an overflow of treasures in my cupped hand. I am taken back instantly to the annual family vacation I took as a child to St. Thomas. I recall it so vividly. My dad rests on a lounge chair, eyes hidden behind brown shades, hands behind his head cradling it as he sleeps. My mom tans while reading a big, thick hardcover novel. My brother swims in the ocean, snorkels all afternoon looking at fish. I spend hours on the beach under my terrycloth visor, protected by a huge white t-shirt my mother insists I wear to avoid sunburn. I collect countless buckets full of shells, big and small alike, in all shapes and colors. I set aside a special pail for my favorite ones, the really great finds.


And now, as I squat down in between my legs, a world away from the Caribbean where this long lost hobby began, I am a child again, digging and searching for the ocean’s jewels. I gasp at every great discovery, running into the water to wash of the traces of sand. I find an old, crushed plastic cup and begin piling up my riches, knowing full well that I am bringing these back to New York. Their new home will be my apartment, a reminder of a time I quickly have forgotten, yet able to recall with such love and clarity.

Thankful to Sanjay, we climb back on the scooter to return to our shack. Initially, I am reluctant to sacrifice my adored beach but the adventure proves to fulfill my love for unplanned, organic quests into unfamiliar soils. I am reminded that stepping into the unknown, trusting the mysterious direction I embark upon will always be rewarded with unforgettable gifts, memories I will cherish when I think back on this amazing Indian journey.